Yasmin Ali

︎︎︎ is a graphic designer and illustrator based in Brooklyn, NY. She is interested in using design as a tool to understand the complex systems we live within and as a way to create meaningful interactions. Her design practice focuses on social impact and community building. She is currently working at the Center for Urban Pedagogy, a non-profit on a mission to make public policy accessible.


︎︎︎yasminalidesign@gmail.com  
︎︎︎Resume by request

Life Remodeled
Case Study
In Fall of 2020, we were given the opportunity to rebrand Life Remodeled, a non-profit organization dedicated to providing intentional and equitable opportunity for the people of Detroit. Over 15 weeks, our team—Yasmin Ali, Will Callis, Erica Heathcote, and Josh Krauth-Harding—worked to develop a branding system that could grow with Life Remodeled’s ever-expanding goals.


Research
We began our research by trying to understand the landscape of Detroit today. To start, we took a deep dive into the city’s history post rebellion in 1967 to September 2020 by mapping out a timeline of significant events and changes in the city’s politics and economy. While doing so, we also took a quantitative lens by tracking the city’s population and poverty rate.When COVID-19 hit Detroit, Black neighborhoods were disproportionately affected and the unemployment rate skyrocketed. After the murder of George Floyd, protests happened across the country and through the streets of Detroit fighting against police brutality and systemic racism as a whole.  


Research
By analyzing how much systemic racism has shaped the structure of society, we were able to use that as a thread to identify 4 pillars to focus our research on Detroit—jobs, education, community development, and health and wellness. Our research required a lens of both quantitative and qualitative data ranging from looking into Detroit’s underfunded education system to core values of community development like equity and integrity.



Research

We took a multi-pronged approach to research, split between six other teams, to build a comprehensive understanding of Detroit and Life Remodeled. Through current brand analysis, case studies, ethnographic research, and a study on Detroit’s recent history (our team’s role) we presented a birdseye view back to the client to ensure we all had the same understanding of the weeks ahead.


Research
Following our research, we decided to take a step back and write a list of takeaways that could carry into our language phase and the fast approaching design phase. Once we were aligned as a group, we started a series of exercises to explore what Life Remodeled does and how to talk about it. Through a semantic differential, we recognized key characteristics like hope, familiarity, timelessness, and participation. From these broad words, we wrote the brand essence and a collection of promises as a way to turn abstraction actionable.


Language Study 
Essence:
Radical hope, sustainable change

Promises:
  • We are community-driven: to best serve the communities we work with, our initiatives must be guided by their goals..
  • We are action-takers: to make effective and lasting change, we must channel the momentum of each neighborhood.
  • We are life-long learners: to grow with community members, we must recognize that learning is an ongoing process.
  • We are historically-conscious: to celebrate each neighborhood, we must honor their tradition, knowledge, and resilience.
  • We are practicing anti-racism: to uphold these promises, this effort must be at the core of everything we do.
 


Moodboard
While collecting imagery and case studies for our moodboards, we used these promises as a way to curate the content and support the language we developed. In our presentation to the client we were able to showcase tangible ways that language could translate to a design system.


Typography
Typography was a driving force behind our system for Life Remodeled. Inspired by the icon “I am a Man” poster, we felt that Martin by Vocal Type Co. was historically informed and well-suited to the work that Life Remodeled did and would continue to do in the future. Bold, narrow, and powerful, Martin served as a workhorse for headlines and the primary identifier.

Marsha, also designed by Vocal Type Co., was used for subheads. It’s wider letterforms, in contrast to Martin, made language feel institutional, solid, and sturdy.



Shape Story 
Perhaps one of the most challenging and sporadic processes of developing the Life Remodeled brand system was its shape language. From the beginning, we knew form would be a powerful storytelling device, but defining its specific visual aesthetic took a lot of trial and error.

Originally, we experimented with organics, texture, and analogue methods (like pastels, crayons, and markers) to represent the humanness found within the community of Dexter-Linwood. Loosely echoing the architecture of the Durfee Innovation Society, organic squiggles and arches felt like they had some potential, but ultimately felt too arbitrary.

A few iterations later, building upon our initial sketches and employing cleaner geometry that reflected Durfee’s form in more tangible ways, we began establishing a system that would eventually transform into Life Remodeled and Durfee Innovation Society’s primary identifiers, grid system, and iconography.

Denoting a home, a community, and upward movement, the final house shape worked both as a container for content as well as a standalone element. The archway, used for Durfee’s primary mark and a greater symbol representing future Opportunity Hubs and tenant-offered services, utilized similarly simple forms that were easy to implement, understand, and scale. 


Color Story
Life Remodeled’s original brand leaned heavily on the color green—a valuable piece of their existing identity that the community was already familiar and comfortable with. We determined right off the bat that it would be essential to retain some shade or hue of green as a primary identifier for the brand.  

Our first design iterations, however, utilized color too excessively. Our “every-color” approach consisted of the primary green, with blue, yellow, pink, orange, black and white as supporting tones. This made it difficult to unify our assets and felt too youthful for a brand that communicated to people of all ages.

In our final weeks of process, our shift in palette made a monumental difference, swapping out our plethora of supporting colors for a refined, more strategic palette. Based in a dark, rich green as the key color for Life Remodeled in addition to a vivid orange for the Durfee Innovation Society, our final palette felt sophisticated yet versatile and well-rounded.


In our final design sprint, our attention switched from sole brand development to crafting a cohesive and compelling story that showcased what our Life Remodeled brand had to offer. Developing motion assets enabled us to illustrate the ideology behind our design decisions as well as demonstrate the modularity and variability of the solution we’d crafted. Our final presentation, which boasted a minute and a half of the system in motion, told the story of an individual, a community, and the tools they use everyday.